Showing posts with label AFA. Show all posts
Showing posts with label AFA. Show all posts

Exclusive Bangkok Installation Exhibition Leads Audiences Through the Surreal and the Real of Hong Kong Cinema Joey WU, Catherine CHAU, Yukki TAI and Ronald LAM Share Their Creative Journeys and Celebrate the Diversity of Hong Kong Cinema

The spectacular "Hong Kong Film Gala Presentation" is coming to Bangkok from July 31 to August 9 at HOUSE Samyan ! Organized by the Asian Film Awards Academy and supported by CCIDA, FDF, and HKETO Bangkok, this cinematic event brings seven distinctive Hong Kong films to Thai audiences.

HIGHLIGHTS

7 Diverse Films: A curated lineup spanning from drama, romance, dark comedy to art-house cinema.

Star-Studded Opening: Bird of Paradise opens the festival, featuring a post-screening talk with director Joey Wu and actress Catherine Chau .

Must-Watch Lineup: Featured titles include Afterpiece, Unidentified Murder, Dog Day Evening, Someone Like Me and Palimpsest: The Story of a Name.

Exclusive Exhibition: "HONG KONG CINEMA: BRIDGING SURREAL & REAL" features film-inspired installation art blending fantasy and reality.

Filmmaker Engagement: Moviegoers can participate in post-screening sharing sessions and thematic talks with visiting Hong Kong creators.

Don't miss this cultural exchange to celebrate the creative vitality with Hong Kong filmmakers!

WEB: https://www.afa-academy.com/


āđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āļŪ่āļ­āļ‡āļāļ‡āļŠุāļ”āļĒิ่āļ‡āđƒāļŦāļ่ Hong Kong Film Gala Presentation āđ€āļ•āļĢีāļĒāļĄāļšุāļāļāļĢุāļ‡āđ€āļ—āļžāļŊ 31 āļāļĢāļāļŽāļēāļ„āļĄ – 9 āļŠิāļ‡āļŦāļēāļ„āļĄāļ™ี้ āļ“ āđ‚āļĢāļ‡āļ āļēāļžāļĒāļ™āļ•āļĢ์ HOUSE Samyan!

āļˆัāļ”āđ‚āļ”āļĒāļŠāļ–āļēāļšัāļ™āļĢāļēāļ‡āļ§ัāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļŠีāļĒ āļĢ่āļ§āļĄāļัāļšāļŦāļ™่āļ§āļĒāļ‡āļēāļ™āļ āļēāļ„āļĢัāļāđāļĨāļ°āļ­ุāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļŦāļ™ัāļ‡āļŪ่āļ­āļ‡āļāļ‡ āļ‚āļ™āļŦāļ™ัāļ‡āļŪ่āļ­āļ‡āļāļ‡āļ„ุāļ“āļ āļēāļž 7 āđ€āļĢื่āļ­āļ‡āļĄāļēāđƒāļŦ้āļ„āļ­āļŦāļ™ัāļ‡āļŠāļēāļ§āđ„āļ—āļĒāđ„āļ”้āļŠāļĄāļัāļ™āļ­āļĒ่āļēāļ‡āļˆุāđƒāļˆ

āđ„āļŪāđ„āļĨāļ•์āđ€āļ”็āļ”āļŦ้āļēāļĄāļžāļĨāļēāļ”

7 āļŦāļ™ัāļ‡āļ”ีāļŦāļĨāļēāļāļŠāđ„āļ•āļĨ์: āļĢāļ§āļšāļĢāļ§āļĄāļŦāļ™ัāļ‡āļĒุāļ„āđƒāļŦāļĄ่āļŦāļĨāļēāļāđāļ™āļ§ āļ•ั้āļ‡āđāļ•่āļ”āļĢāļēāļĄ่āļē āđ‚āļĢāđāļĄāļ™āļ•ิāļ āļ•āļĨāļāļĢ้āļēāļĒ āđ„āļ›āļˆāļ™āļ–ึāļ‡āļŦāļ™ัāļ‡āļ­āļēāļĢ์āļ•

āđ€āļ›ิāļ”āđ€āļ—āļĻāļāļēāļĨāļ”้āļ§āļĒāļŦāļ™ัāļ‡āļ™้āļģāļ”ี: āļŠāļĄāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ›ิāļ”āđ€āļ—āļĻāļāļēāļĨāđ€āļĢื่āļ­āļ‡ Bird of Paradise āļŦāļ™ัāļ‡āļ”āļĢāļēāļĄ่āļēāļิāļ™āđƒāļˆāļŠāļ°āļ—้āļ­āļ™āļŠีāļ§ิāļ•āļœู้āļŦāļิāļ‡

āļāļĢāļ°āļ—āļšāđ„āļŦāļĨ่āļ„āļ™āļ—āļģāļŦāļ™ัāļ‡: āļœู้āļāļģāļัāļš āđ‚āļˆāļ­ี้ āļ­ู๋ āđāļĨāļ°āļ™ัāļāđāļŠāļ”āļ‡āļ™āļģ āđāļ„āļ—āđ€āļ˜āļ­āļĢีāļ™ āđ‚āļˆāļ§ āļšิāļ™āļ•āļĢāļ‡āļĄāļēāļĢ่āļ§āļĄāđ€āļŠāļ§āļ™āļēāļŦāļĨัāļ‡āļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ›ิāļ”āļ•ัāļ§

āđ„āļĨāļ™์āļ­ัāļ›āļŦāļ™ัāļ‡āļ™่āļēāļˆัāļšāļ•āļē: āļŦāļ™ัāļ‡āđ€āļ”่āļ™āđƒāļ™āļ‡āļēāļ™ āđ„āļ”้āđāļ่ Afterpiece, Unidentified Murder, Dog Day Evening, Someone Like Me āđāļĨāļ° Palimpsest: The Story of a Name

āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢāļŠุāļ”āđ€āļ­็āļāļ‹์āļ„āļĨูāļ‹ีāļŸ: HONG KONG CINEMA: BRIDGING SURREAL & REAL āļ™āļģāđ€āļŠāļ™āļ­āļ‡āļēāļ™āļĻิāļĨāļ›āļ° Installation Art āđāļĢāļ‡āļšัāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļ āļēāļžāļĒāļ™āļ•āļĢ์ āđ€āļŠื่āļ­āļĄāđ‚āļĨāļāļˆāļĢิāļ‡āđāļĨāļ°āđāļŸāļ™āļ•āļēāļ‹ีāđ€āļ‚้āļēāļ”้āļ§āļĒāļัāļ™

āļ„āļ™āļĢัāļāļŦāļ™ัāļ‡āđāļĨāļ°āļ‡āļēāļ™āļĻิāļĨāļ›āļ° āļŦ้āļēāļĄāļžāļĨāļēāļ”! āđ‚āļ­āļāļēāļŠāļŠāļģāļ„ัāļāļ—ี่āļˆāļ°āđ„āļ”้āļŠัāļĄāļœัāļŠāļžāļĨัāļ‡āđāļŦ่āļ‡āļ„āļ§āļēāļĄāļ„ิāļ”āļŠāļĢ้āļēāļ‡āļŠāļĢāļĢāļ„์ āļĢ่āļ§āļĄāđāļĨāļāđ€āļ›āļĨี่āļĒāļ™āļ§ัāļ’āļ™āļ˜āļĢāļĢāļĄāļ āļēāļžāļĒāļ™āļ•āļĢ์āļŪ่āļ­āļ‡āļāļ‡āļĒุāļ„āđƒāļŦāļĄ่āļ­āļĒ่āļēāļ‡āđƒāļāļĨ้āļŠิāļ”

āđ€āļ§็āļšāđ„āļ‹āļ•์: https://www.afa-academy.com/

REPORT: INSTYLEASIA 



















 


NEON LIGHTS, RAMEN AND YAKUZA: WHY ‘ROAD TO VENDETTA’ IS THE REVENGE THRILLER OF THE YEAR

ROAD TO VENDETTA, a Hong Kong-Japan action thriller directed by Njo Kui-ying marks its major global milestone, having earned 5 nominations at 62nd Golden Horse Awards and landing spots at the festivals like Austin's Fantastic Fest.

The adrenaline-fueled story kicks off when a slick assassin named No. 4 (Jeffrey Ngai) is dispatched from a secret Ramen-shop killer network in Hong Kong to eliminate a yakuza boss in Japan. Instead, he is ambushed by his own client, a fierce Japanese girl named Kumo (Sara Minami). She forces the hitman into a  chaotic alliance that puts them both in the crosshairs of a ruthless yakuza syndicate led by veteran superstars like "Takumi Saito" and "Naoto Takenaka".

Road to Vendetta made massive waves as a marquee selection for the Hong Kong Film Gala Presentation at the Bali International Film Festival. Organized by Asian Film Awards Academy (AFAA) to showcase the absolute best of Hong Kong's new generation cinema, the special gala presentation brought the thriller straight to Indonesian audiences.

āļ—่āļēāļĄāļāļĨāļēāļ‡āđāļŠāļ‡āđ„āļŸāļ™ีāļ­āļ­āļ™āļ§ิāļšāļ§ัāļš āļĢāļēāđ€āļĄāļ™āļ­ุ่āļ™āđ† āđāļĨāļ°āļāļĨิ่āļ™āļ„āļ§ัāļ™āļ›ืāļ™āļ‚āļ­āļ‡āđāļ๊āļ‡āļĒāļēāļูāļ‹่āļē ROAD TO VENDETTA āļāļĨāļēāļĒāđ€āļ›็āļ™āļ—āļ­āļĨ์āļāļ­āļ­āļŸāđ€āļ”āļ­āļ°āļ—āļēāļ§āļ™์āļ—ี่āļ„āļ­āļŦāļ™ัāļ‡āļ—ั่āļ§āđ‚āļĨāļāļžูāļ”āļ–ึāļ‡! 

āļŦāļ™ัāļ‡āđāļ­็āļ„āļŠั่āļ™āļŠāđ„āļ•āļĨ์āļ™ีāđ‚āļ­āļ™ัāļ§āļĢ์āļŠุāļ”āļŠิāļ„ āļœāļĨāļ‡āļēāļ™āļĢ่āļ§āļĄāļ—ุāļ™āļĢāļ°āļŦāļ§่āļēāļ‡āļŪ่āļ­āļ‡āļāļ‡āđāļĨāļ°āļี่āļ›ุ่āļ™āļĢāļ°āđ€āļšิāļ”āļ„āļ§āļēāļĄāļĄัāļ™āļŠ์āđƒāļ™āļ‡āļēāļ™āđ€āļ—āļĻāļāļēāļĨāļŦāļ™ัāļ‡āļĢāļ°āļ”ัāļšāđ‚āļĨāļ āļœāļĨāļ‡āļēāļ™āļĨ่āļēāļŠุāļ”āļ‚āļ­āļ‡āļœู้āļāļģāļัāļš āđ€āļŦāļĨีāļĒāļ‡ āļุāļĒāļŦāļĒิāļ‡ āļœāļŠāļĄāļœāļŠāļēāļ™āļĻāļēāļŠāļ•āļĢ์āļāļēāļĢāļ•่āļ­āļŠู้āļŠāđ„āļ•āļĨ์āļŪ่āļ­āļ‡āļāļ‡āđ€āļ‚้āļēāļัāļšāļ„āļ§āļēāļĄāļ”ิāļšāđ€āļ—่āđāļšāļšāļี่āļ›ุ่āļ™āđ„āļ”้āļ­āļĒ่āļēāļ‡āļĨāļ‡āļ•ัāļ§ āļĨ่āļēāļŠุāļ”āļŠāļĢ้āļēāļ‡āļ„āļ§āļēāļĄāļŪืāļ­āļŪāļēāđƒāļ™āļ‡āļēāļ™ Hong Kong Film Gala Presentation āđ‚āļ”āļĒ Asian Film Awards Academy (AFAA) āļĢāļ°āļŦāļ§่āļēāļ‡āđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āļ™āļēāļ™āļēāļŠāļēāļ•ิāļšāļēāļŦāļĨี āļ›āļĢāļ°āđ€āļ—āļĻāļ­ิāļ™āđ‚āļ”āļ™ีāđ€āļ‹ีāļĒ

āđ€āļĢื่āļ­āļ‡āļĢāļēāļ§āđ€āļĢิ่āļĄāļ•้āļ™āđƒāļ™āļĢ้āļēāļ™āļĢāļēāđ€āļĄāļ™āļĨัāļšāđƒāļ™āļŪ่āļ­āļ‡āļāļ‡āļ‹ึ่āļ‡āđ€āļ›็āļ™āđ€āļ„āļĢืāļ­āļ‚่āļēāļĒāļ‚āļ­āļ‡āļĄืāļ­āļŠัāļ‡āļŦāļēāļĢ "āļŦāļĄāļēāļĒāđ€āļĨāļ‚ 4" (āđ€āļˆāļŸāļŸāļĢีāļĒ์ āļ‡āļēāļĒ) āļŠุāļ”āļĒāļ­āļ”āļ™ัāļāļ†่āļēāļีāļĄืāļ­āļ‰āļāļēāļˆ āļ–ูāļāļŠ่āļ‡āļ•ัāļ§āļ‚้āļēāļĄāļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ›āļĒัāļ‡āļี่āļ›ุ่āļ™āđ€āļžื่āļ­āđ€āļ็āļšāļŦัāļ§āļŦāļ™้āļēāđāļ๊āļ‡āļĒāļēāļูāļ‹่āļē āđāļ•่āđ€āļāļĄāļāļĨัāļšāļžāļĨิāļ! āđ€āļĄื่āļ­āđ€āļ‚āļēāđ‚āļ”āļ™āļœู้āļ§่āļēāļˆ้āļēāļ‡āļ‹ุ่āļĄāđ‚āļˆāļĄāļ•ี āļ‹ึ่āļ‡āđ€āļ˜āļ­āđ„āļĄ่āđƒāļŠ่āđƒāļ„āļĢāļ—ี่āđ„āļŦāļ™ āđāļ•่āđ€āļ›็āļ™ "āļ„ุāđ‚āļĄāļ°" (āļ‹āļēāļĢ่āļē āļĄิāļ™āļēāļĄิ) āļŦāļิāļ‡āļŠāļēāļ§āļŠāļēāļ§āļี่āļ›ุ่āļ™āļ—ี่āļ—ุ่āļĄāđ€āļ‡ิāļ™āđ€āļ็āļšāļ—ั้āļ‡āļŠีāļ§ิāļ•āđ€āļžื่āļ­āļšัāļ‡āļ„ัāļšāđƒāļŦ้āļĄืāļ­āļŠัāļ‡āļŦāļēāļĢāļ­ัāļ™āļ”ัāļšāļ•้āļ™āđ† āļĄāļēāļĢ่āļ§āļĄāđ€āļ›็āļ™āļžัāļ™āļ˜āļĄิāļ•āļĢāđāļ้āđāļ„้āļ™āļัāļšāđ€āļ˜āļ­ āļāļēāļĢāļˆัāļšāļ„ู่āđāļšāļšāļ‡āļ‡āđ† āļ—āļģāđƒāļŦ้āļ—ั้āļ‡āļŠāļ­āļ‡āļ•āļāđ€āļ›็āļ™āđ€āļ›้āļēāļŦāļĄāļēāļĒāļ‚āļ­āļ‡āđāļ๊āļ‡āļĒāļēāļูāļ‹่āļēāļŠุāļ”āđ‚āļŦāļ” āļ™āļģāļ—ัāļžāļ„āļ§āļēāļĄāđ€āļŦี้āļĒāļĄāđ‚āļ”āļĒāļ™ัāļāđāļŠāļ”āļ‡āļĢāļ°āļ”ัāļšāļ‹ุāļ›āļ•āļēāļĢ์āļ­āļĒ่āļēāļ‡ āļ—āļēāļ„ุāļĄิ āđ„āļ‹āđ‚āļ•āļ° āđāļĨāļ° āļ™āļēāđ‚āļ­āđ‚āļ•āļ° āļ—āļēāđ€āļ„āļ™āļēāļāļ°

Jeffrey Ngai from Road to Vendetta in Hong Kong Film Gala Presentation at Balinale 2026

Hong Kong’s rising star Jeffrey Ngai (魏æĩšįŽ™) captivated the crowd. His performance in the action-thriller film Road to Vendetta kept viewers on the absolute edge of their seats. Fans and critics alike praised his intense screen presence, proving him as one of Asia’s most exciting talents to watch.

The tropical paradise of Bali just got a massive dose of Hong Kong star power! The Hong Kong Film Gala Presentation wrapped up its spectacular run at the Bali International Film Festival (Balinale), leaving local film buffs and international critics absolutely spellbound.

Organized by Asian Film Awards Academy (AFAA), the week-long cinematic feast brought six of Hong Kong’s finest modern films straight to Indonesian shores, the event proved once and more that great storytelling knows no borders.

known for his breakthrough in the 2022 hit drama "I Swim", Jeffrey Ngai,  a half-Dutch and Indonesian Hong Kong actor, Cantopop singer and fashion model who has rapidly transformed from a viral reality TV breakout into one of Asia's most coveted talents.

WEB: https://www.afa-academy.com/

āļŠāļ§āļĢāļĢāļ„์āđ€āļ‚āļ•āļĢ้āļ­āļ™āļ­āļĒ่āļēāļ‡āđ€āļāļēāļ°āļšāļēāļŦāļĨีāļ•้āļ­āļ‡āļĒāļ­āļĄāļŠāļĒāļšāđƒāļŦ้āđāļ่ "āļ­āļ­āļĢ่āļēāļ‹ุāļ›āļ•āļēāļĢ์" āļˆāļēāļāļŪ่āļ­āļ‡āļāļ‡! āđ€āļĄื่āļ­āļ āļēāļžāļĒāļ™āļ•āļĢ์āđāļ­็āļāļŠัāļ™āļĢāļ°āļ—ึāļāļ‚āļ§ัāļāļāļĢāļ°āđāļŠāđāļĢāļ‡ “Road to Vendetta” āļ–ูāļāļ™āļģāđ„āļ›āļ‰āļēāļĒāļžāļĢ้āļ­āļĄāļ›ิāļ”āļ‰āļēāļāļ­āļĒ่āļēāļ‡āļĒิ่āļ‡āđƒāļŦāļ่āđƒāļ™āļ‡āļēāļ™ Hong Kong Film Gala Presentation āļ—ี่āļˆัāļ”āļ‚ึ้āļ™āļĢāļ°āļŦāļ§่āļēāļ‡āđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āļ™āļēāļ™āļēāļŠāļēāļ•ิāļšāļēāļŦāļĨี (Balinale)

āļ‡āļēāļ™āļ™ี้ āđ€āļˆāļŸāļŸāļĢีāļĒ์ āļ‡āļēāļĒ āļ™ัāļāđāļŠāļ”āļ‡ āļ™ัāļāļĢ้āļ­āļ‡āđ€āļžāļĨāļ‡āļˆีāļ™āļāļ§āļēāļ‡āļ•ุ้āļ‡ āđāļĨāļ°āļ™āļēāļĒāđāļšāļšāļŦāļ™ุ่āļĄāļŠุāļ”āļŪāļ­āļ•āļĨูāļāļ„āļĢึ่āļ‡āļŪ่āļ­āļ‡āļāļ‡-āļ”ัāļ•āļŠ์-āļ­ิāļ™āđ‚āļ”āļ™ีāđ€āļ‹ีāļĒ āđ„āļ”้āļžิāļŠูāļˆāļ™์āđƒāļŦ้āļ„āļ™āļ—ั้āļ‡āđ‚āļĨāļāđ€āļŦ็āļ™āļ–ึāļ‡āļžัāļ’āļ™āļēāļāļēāļĢāđāļšāļšāļ้āļēāļ§āļāļĢāļ°āđ‚āļ”āļ” āļˆāļēāļāļ”āļēāļ§āļĢุ่āļ‡āļĢāļēāļĒāļāļēāļĢāđ€āļĢีāļĒāļĨāļĨิāļ•ี้āđāļĨāļ°āļ‹ีāļĢีāļŠ์āļŪิāļ• I Swim (2022) āļŠู่āļšāļ—āļšāļēāļ—āļŠุāļ”āđ€āļ‚้āļĄāļ‚้āļ™āļ—ี่āļŠāļēāļ”āļžāļĨัāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļˆāļ™āļœู้āļŠāļĄāļĨุ้āļ™āļĢāļ°āļ—ึāļāļ™ั่āļ‡āđ„āļĄ่āļ•ิāļ”āđ€āļ้āļēāļ­ี้ āļāļ§āļēāļ”āļ„āļģāļŠāļĄāļˆāļēāļāļ—ั้āļ‡āđāļŸāļ™āļŦāļ™ัāļ‡āđāļĨāļ°āļ™ัāļāļ§ิāļˆāļēāļĢāļ“์āđ„āļ›āļ­āļĒ่āļēāļ‡āļĨ้āļ™āļŦāļĨāļēāļĄ āļ•āļ­āļāļĒ้āļģāļ§่āļēāđ€āļ‚āļēāļ„ืāļ­āļĻิāļĨāļ›ิāļ™āļĢāļ°āļ”ัāļšāļ­āļ­āļĨāļĢāļēāļ§āļ™์āđ€āļ”āļ­āļĢ์āđƒāļ™āļ•ัāļ§āļ„āļ™āļ„āļ™āđ€āļ”ีāļĒāļ§ āđ€āļ›็āļ™āļŦāļ™ึ่āļ‡āđƒāļ™āđ„āļ­āļ„āļ­āļ™āļĢุ่āļ™āđƒāļŦāļĄ่āļ—ี่āļ™่āļēāļˆัāļšāļ•āļēāļĄāļ­āļ‡āļ—ี่āļŠุāļ”āļ‚āļ­āļ‡āđ€āļ­āđ€āļŠีāļĒāđƒāļ™āđ€āļ§āļĨāļēāļ™ี้!

āļŠāļģāļŦāļĢัāļšāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļĢื่āļ­āļ‡āļ™ี้āđ€āļ›็āļ™ 1 āđƒāļ™ 6 āļœāļĨāļ‡āļēāļ™āļ„ุāļ“āļ āļēāļžāļ—ี่āļˆัāļ”āļ‰āļēāļĒāđ‚āļ”āļĒ Asian Film Awards Academy (AFAA) āđ€āļžื่āļ­āđ‚āļŠāļ§์āļĻัāļāļĒāļ āļēāļžāļ­ุāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļŦāļ™ัāļ‡āļŪ่āļ­āļ‡āļāļ‡ āļ‹ึ่āļ‡āļ•ัāļ§āđ€āļˆāļŸāļŸāļĢีāļĒ์āđ€āļ­āļ‡āļ็āđ„āļĄ่āļ—āļģāđƒāļŦ้āđāļŸāļ™āđ† āļœิāļ”āļŦāļ§ัāļ‡āđ€āļĨāļĒ

āđ€āļ§็āļšāđ„āļ‹āļ•์: https://www.afa-academy.com/




Asian Film Awards Academy Launches Hong Kong Film Gala Presentation in Seoul for the First Time.

Asian Film Awards Academy Launches Hong Kong Film Gala Presentation in Seoul for the First Time.

Rare Production Materials from A Better Tomorrow and Once a Thief to Be Exhibited in Seoul

Veteran Filmmakers Stanley Kwan and Hing Kai CHAN Lead a New Generation of Directors and Actors to Showcase the Spirit of Hong Kong Cinema’s Legacy.

The Asian Film Awards Academy continues its mission of fostering cultural exchange through Asian cinema. This year, the Hong Kong Film Gala Presentation will take place in Seoul, South Korea, from 26 June to 5 July 2026 at the iconic arts venue emu Artspace. 

Through film screenings, a thematic exhibition, and a series of panel discussions, the ten-day cultural event will offer audiences a comprehensive exploration of the unique charm and rich cultural heritage of Hong Kong cinema.

A distinguished lineup of Hong Kong filmmakers and artists will travel to Seoul to engage with local audiences. The delegation includes veteran filmmakers CHAN Hing Kai and Stanley KWAN; directors HO Miu Ki, Lawrence KAN, and TAM Wai Ching; actors Elizabeth TANG and WONG You Nam; as well as film composer and erhu performer CHU Wan Pin. 

Together, they will participate in post-screening Q&A sessions and thematic panel discussions, exploring topics ranging from social issues and female perspectives to cinematic legacy and the growth of actors and filmmakers.

WEB: https://www.afa-academy.com/


āđ€āļ›ิāļ”āļ‰āļēāļ ‘Hong Kong Film Gala’ āļ„āļĢั้āļ‡āđāļĢāļāđƒāļ™āļāļĢุāļ‡āđ‚āļ‹āļĨ āļˆัāļ”āđ€āļ•็āļĄāļ āļēāļžāļĒāļ™āļ•āļĢ์āđāļĨāļ°āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢāļŦāļēāļ”ูāļĒāļēāļ

āļŠāļ–āļēāļšัāļ™āļĢāļēāļ‡āļ§ัāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļŠีāļĒ (AFA) āđ€āļ”ิāļ™āļŦāļ™้āļēāđ€āļŠื่āļ­āļĄāļŠัāļĄāļžัāļ™āļ˜์āļ§ัāļ’āļ™āļ˜āļĢāļĢāļĄ āļˆัāļ”āļ‡āļēāļ™ Hong Kong Film Gala āļ„āļĢั้āļ‡āđāļĢāļ āļ“ āļāļĢุāļ‡āđ‚āļ‹āļĨ āđ€āļāļēāļŦāļĨีāđƒāļ•้ āļĢāļ°āļŦāļ§่āļēāļ‡āļ§ัāļ™āļ—ี่ 26 āļĄิāļ–ุāļ™āļēāļĒāļ™ – 5 āļāļĢāļāļŽāļēāļ„āļĄ 2026 āļ“ emu artspace āļ•āļĨāļ­āļ” 10 āļ§ัāļ™āđ€āļ•็āļĄ

āđ„āļŪāđ„āļĨāļ•์āļŠāļģāļ„ัāļāđƒāļ™āļ‡āļēāļ™

āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢāļžิāđ€āļĻāļĐ: āļˆัāļ”āđāļŠāļ”āļ‡āļ‚āļ­āļ‡āļ—ี่āđƒāļŠ้āļ–่āļēāļĒāļ—āļģāļŦāļēāļ”ูāđ„āļ”้āļĒāļēāļāļˆāļēāļāļŦāļ™ัāļ‡āļĢāļ°āļ”ัāļšāļ•āļģāļ™āļēāļ™ A Better Tomorrow āđāļĨāļ° Once a Thief

āļ—ัāļžāļ„āļ™āļ”ัāļ‡āļĢ่āļ§āļĄāļ‡āļēāļ™: āļ™āļģāđ‚āļ”āļĒ 2 āļœู้āļāļģāļัāļšāļŠั้āļ™āļ„āļĢู āļŠāđāļ•āļ™āļĨีāļĒ์ āļāļ§āļ™ āđāļĨāļ° āļŪิāļ‡ āđ„āļ„ āļŠāļēāļ™ āđāļ—็āļāļ—ีāļĄāļœู้āļŠāļĢ้āļēāļ‡āđāļĨāļ°āļ™ัāļāđāļŠāļ”āļ‡āļĢุ่āļ™āđƒāļŦāļĄ่ āļ­āļēāļ—ิ āđ‚āļŪ āļĄิāļ§ āļี, āļĨāļ­āļ§์āđ€āļĢāļ™āļ‹์ āļ„āļēāļ™, āđāļ—āļĄ āđ„āļŦāļ§่ āļŠิāļ‡, āđ€āļ­āļĨิāļ‹āļēāđ€āļšāļ˜ āļ–ัāļ‡, āļŦāļ§่āļ­āļ‡ āļĒู āļ™ัāļĄ āđāļĨāļ° āļŠู āļŦāļ§ัāļ™ āļ›ิāļ™

āļิāļˆāļāļĢāļĢāļĄāđ€āļŠāļ§āļ™āļē: āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢ āđāļĨāļ°āļāļēāļĢāļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢ์āļžāļĢ้āļ­āļĄāđ€āļ‹āļŠāļŠัāļ™āļžูāļ”āļ„ุāļĒ āđāļĨāļāđ€āļ›āļĨี่āļĒāļ™āļĄุāļĄāļĄāļ­āļ‡āļ•ั้āļ‡āđāļ•่āđ€āļĢื่āļ­āļ‡āļŠัāļ‡āļ„āļĄ āļœู้āļŦāļิāļ‡ āļˆāļ™āļ–ึāļ‡āļāļēāļĢāļŠ่āļ‡āļ•่āļ­āđāļĢāļ‡āļšัāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļĢุ่āļ™āļŠู่āļĢุ่āļ™

āđ€āļ§็āļšāđ„āļ‹āļ•์: https://www.afa-academy.com/









Asian Film Awards Academy Launches Hong Kong Film Gala Presentation in Seoul for the First Time.

Asian Film Awards Academy Launches Hong Kong Film Gala Presentation in Seoul for the First Time.

Rare Production Materials from A Better Tomorrow and Once a Thief to Be Exhibited in Seoul

Veteran Filmmakers Stanley Kwan and Hing Kai CHAN Lead a New Generation of Directors and Actors to Showcase the Spirit of Hong Kong Cinema’s Legacy.

The Asian Film Awards Academy continues its mission of fostering cultural exchange through Asian cinema. This year, the Hong Kong Film Gala Presentation will take place in Seoul, South Korea, from 26 June to 5 July 2026 at the iconic arts venue emu Artspace. 

Through film screenings, a thematic exhibition, and a series of panel discussions, the ten-day cultural event will offer audiences a comprehensive exploration of the unique charm and rich cultural heritage of Hong Kong cinema.

A distinguished lineup of Hong Kong filmmakers and artists will travel to Seoul to engage with local audiences. The delegation includes veteran filmmakers CHAN Hing Kai and Stanley KWAN; directors HO Miu Ki, Lawrence KAN, and TAM Wai Ching; actors Elizabeth TANG and WONG You Nam; as well as film composer and erhu performer CHU Wan Pin. 

Together, they will participate in post-screening Q&A sessions and thematic panel discussions, exploring topics ranging from social issues and female perspectives to cinematic legacy and the growth of actors and filmmakers.

WEB: https://www.afa-academy.com/


āđ€āļ›ิāļ”āļ‰āļēāļ ‘Hong Kong Film Gala’ āļ„āļĢั้āļ‡āđāļĢāļāđƒāļ™āļāļĢุāļ‡āđ‚āļ‹āļĨ āļˆัāļ”āđ€āļ•็āļĄāļ āļēāļžāļĒāļ™āļ•āļĢ์āđāļĨāļ°āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢāļŦāļēāļ”ูāļĒāļēāļ

āļŠāļ–āļēāļšัāļ™āļĢāļēāļ‡āļ§ัāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļŠีāļĒ (AFA) āđ€āļ”ิāļ™āļŦāļ™้āļēāđ€āļŠื่āļ­āļĄāļŠัāļĄāļžัāļ™āļ˜์āļ§ัāļ’āļ™āļ˜āļĢāļĢāļĄ āļˆัāļ”āļ‡āļēāļ™ Hong Kong Film Gala āļ„āļĢั้āļ‡āđāļĢāļ āļ“ āļāļĢุāļ‡āđ‚āļ‹āļĨ āđ€āļāļēāļŦāļĨีāđƒāļ•้ āļĢāļ°āļŦāļ§่āļēāļ‡āļ§ัāļ™āļ—ี่ 26 āļĄิāļ–ุāļ™āļēāļĒāļ™ – 5 āļāļĢāļāļŽāļēāļ„āļĄ 2026 āļ“ emu artspace āļ•āļĨāļ­āļ” 10 āļ§ัāļ™āđ€āļ•็āļĄ

āđ„āļŪāđ„āļĨāļ•์āļŠāļģāļ„ัāļāđƒāļ™āļ‡āļēāļ™

āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢāļžิāđ€āļĻāļĐ: āļˆัāļ”āđāļŠāļ”āļ‡āļ‚āļ­āļ‡āļ—ี่āđƒāļŠ้āļ–่āļēāļĒāļ—āļģāļŦāļēāļ”ูāđ„āļ”้āļĒāļēāļāļˆāļēāļāļŦāļ™ัāļ‡āļĢāļ°āļ”ัāļšāļ•āļģāļ™āļēāļ™ A Better Tomorrow āđāļĨāļ° Once a Thief

āļ—ัāļžāļ„āļ™āļ”ัāļ‡āļĢ่āļ§āļĄāļ‡āļēāļ™: āļ™āļģāđ‚āļ”āļĒ 2 āļœู้āļāļģāļัāļšāļŠั้āļ™āļ„āļĢู āļŠāđāļ•āļ™āļĨีāļĒ์ āļāļ§āļ™ āđāļĨāļ° āļŪิāļ‡ āđ„āļ„ āļŠāļēāļ™ āđāļ—็āļāļ—ีāļĄāļœู้āļŠāļĢ้āļēāļ‡āđāļĨāļ°āļ™ัāļāđāļŠāļ”āļ‡āļĢุ่āļ™āđƒāļŦāļĄ่ āļ­āļēāļ—ิ āđ‚āļŪ āļĄิāļ§ āļี, āļĨāļ­āļ§์āđ€āļĢāļ™āļ‹์ āļ„āļēāļ™, āđāļ—āļĄ āđ„āļŦāļ§่ āļŠิāļ‡, āđ€āļ­āļĨิāļ‹āļēāđ€āļšāļ˜ āļ–ัāļ‡, āļŦāļ§่āļ­āļ‡ āļĒู āļ™ัāļĄ āđāļĨāļ° āļŠู āļŦāļ§ัāļ™ āļ›ิāļ™

āļิāļˆāļāļĢāļĢāļĄāđ€āļŠāļ§āļ™āļē: āļ™ิāļ—āļĢāļĢāļĻāļāļēāļĢ āđāļĨāļ°āļāļēāļĢāļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢ์āļžāļĢ้āļ­āļĄāđ€āļ‹āļŠāļŠัāļ™āļžูāļ”āļ„ุāļĒ āđāļĨāļāđ€āļ›āļĨี่āļĒāļ™āļĄุāļĄāļĄāļ­āļ‡āļ•ั้āļ‡āđāļ•่āđ€āļĢื่āļ­āļ‡āļŠัāļ‡āļ„āļĄ āļœู้āļŦāļิāļ‡ āļˆāļ™āļ–ึāļ‡āļāļēāļĢāļŠ่āļ‡āļ•่āļ­āđāļĢāļ‡āļšัāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļāļĢุ่āļ™āļŠู่āļĢุ่āļ™

WEB: https://www.afa-academy.com/








JIA Zhangke masterclass in Asian Film Awards Academy 2026

𝗝𝗜𝗔 𝗭ð—ĩð—Ūð—ŧð—īð—ļð—ē: 𝗙ð—ķð—đ𝗚𝗚ð—Ūð—ļð—ķð—ŧð—ī 𝗔𝗰ð—ŋ𝗞𝘀𝘀 𝗖𝘂ð—đ𝘁𝘂ð—ŋð—ē𝘀

As part of the 19th Asian Film Awards featured programme, three masterclasses were held in Hong Kong.

āļŠ่āļ§āļ™āļŦāļ™ึ่āļ‡āļ‚āļ­āļ‡āđ‚āļ›āļĢāđāļāļĢāļĄāļžิāđ€āļĻāļĐāđƒāļ™āļ‡āļēāļ™āļ›āļĢāļ°āļāļēāļĻāļĢāļēāļ‡āļ§ัāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļŠีāļĒāļ„āļĢั้āļ‡āļ—ี่ 19 āļ—ี่āļŪ่āļ­āļ‡āļāļ‡ āđ„āļ›āļŠāļĄāļŠ่āļ§āļ‡āļĄāļēāļŠāđ€āļ•āļ­āļĢ์āļ„āļĨāļēāļŠāļ‚āļ­āļ‡ "āđ€āļˆีāļĒ āļˆāļēāļ‡āđ€āļ„่āļ­" āļœู้āļāļģāļัāļšāļŠāļēāļ§āļˆีāļ™āļัāļ™

The second masterclass, co-presented by Rolex and AFAA, was hosted by Carlo Chatrian, Director of the National Museum of Cinema in Turin, Italy. Supported by Rolex as part of its Perpetual Arts Initiative, the session featured internationally renowned Chinese director and Rolex Testimonee Jia Zhangke, who reflected on his creative journey and his approach to the art of cinema.

āļĄāļēāļŠāđ€āļ•āļ­āļĢ์āļ„āļĨāļēāļŠāļ„āļĢั้āļ‡āļ—ี่āļŠāļ­āļ‡ āļĢ่āļ§āļĄāļˆัāļ”āđ‚āļ”āļĒ Rolex (āđ‚āļĢāđ€āļĨ็āļāļ‹์) āđāļĨāļ° AFAA  āļ„ุāļ“āļ„āļēāļĢ์āđ‚āļĨ āļŠāļēāđ€āļ—āļĢีāļĒāļ™ āļœู้āļ­āļģāļ™āļ§āļĒāļāļēāļĢāļžิāļžิāļ˜āļ ัāļ“āļ‘์āļ āļēāļžāļĒāļ™āļ•āļĢ์āđāļŦ่āļ‡āļŠāļēāļ•ิāđ€āļĄืāļ­āļ‡āļ•ูāļĢิāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāļ­ิāļ•āļēāļĨี āļ—āļģāļŦāļ™้āļēāļ—ี่āđ€āļ›็āļ™āļžิāļ˜ีāļāļĢ āđ„āļ”้āļĢัāļšāļāļēāļĢāļŠāļ™ัāļšāļŠāļ™ุāļ™āļˆāļēāļ Rolex āđƒāļ™āļāļēāļ™āļ°āļŠ่āļ§āļ™āļŦāļ™ึ่āļ‡āļ‚āļ­āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢāļĢิāđ€āļĢิ่āļĄāļĻิāļĨāļ›āļ°āļ­āļĒ่āļēāļ‡āļĒั่āļ‡āļĒืāļ™ āđ„āļ”้āđ€āļŠิāļ āđ€āļˆีāļĒ āļˆāļēāļ‡āđ€āļ„่āļ­ āļœู้āļāļģāļัāļšāļŠāļēāļ§āļˆีāļ™ āđāļĨāļ°āļžāļĢีāđ€āļ‹āļ™āđ€āļ•āļ­āļĢ์āđāļšāļĢāļ™āļ”์ Rolex āļĄāļēāļĢ่āļ§āļĄāđāļš่āļ‡āļ›ัāļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“์āđ€āļี่āļĒāļ§āļัāļšāđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļŠāļĢ้āļēāļ‡āļŠāļĢāļĢāļ„์āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđ€āļ‚āļē āđāļĨāļ°āļĻิāļĨāļ›āļ°āđƒāļ™āđ‚āļĨāļāļ āļēāļžāļĒāļ™āļ•āļĢ์

Reflecting on his long-standing collaboration with actress ZHAO Tao, JIA began with a laugh: “Maybe I can share something personal.”. He recalled searching for the lead actress for Platform and struggling to find the right candidate, until he attended a dance class at a university in Shanxi and noticed the teacher leading the class — ZHAO Tao.

āđ€āļˆีāļĒāđ€āļĨ่āļēāļ–ึāļ‡āļāļēāļĢāļĢ่āļ§āļĄāļ‡āļēāļ™āļ­ัāļ™āļĒāļēāļ§āļ™āļēāļ™āļัāļšāļ™ัāļāđāļŠāļ”āļ‡āļŦāļิāļ‡ "āļˆ้āļēāļ§āđ€āļ–āļē" āļžāļĢ้āļ­āļĄāļัāļšāļŦัāļ§āđ€āļĢāļēāļ°āļ§่āļē “āļšāļēāļ‡āļ—ีāļœāļĄāļ­āļēāļˆāļˆāļ°āđ€āļĨ่āļēāđ€āļĢื่āļ­āļ‡āļŠ่āļ§āļ™āļ•ัāļ§āđƒāļŦ้āļŸัāļ‡āļ็āđ„āļ”้” āđ€āļ‚āļēāđ€āļĨ่āļēāļ–ึāļ‡āļāļēāļĢāļ„้āļ™āļŦāļēāļ™ัāļāđāļŠāļ”āļ‡āļ™āļģāļŦāļิāļ‡āđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļĢื่āļ­āļ‡ Platform āđāļĨāļ°āļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđƒāļ™āļāļēāļĢāļŦāļēāļœู้āļ—ี่āđ€āļŦāļĄāļēāļ°āļŠāļĄ āļˆāļ™āļāļĢāļ°āļ—ั่āļ‡āđ€āļ‚āļēāđ„āļ›āđ€āļ‚้āļēāđ€āļĢีāļĒāļ™āļ§ิāļŠāļēāđ€āļ•้āļ™āļĢāļģāļ—ี่āļĄāļŦāļēāļ§ิāļ—āļĒāļēāļĨัāļĒāđāļŦ่āļ‡āļŦāļ™ึ่āļ‡āđƒāļ™āļĄāļ“āļ‘āļĨāļŠāļēāļ™āļ‹ี āđāļĨāļ°āļŠัāļ‡āđ€āļāļ•āđ€āļŦ็āļ™āļ§่āļēāļ„āļĢูāļœู้āļŠāļ­āļ™ āļ„ืāļ­ "āļˆ้āļēāļ§āđ€āļ–āļē" āļ™ั่āļ™āđ€āļ­āļ‡

JIA also shared a memorable moment from the production: “The costume team intentionally made the clothes look very old — even a little dirty — to reflect the period. But ZHAO said, ‘Clothes can look old, but they shouldn’t look dirty. People in every era have dignity.’”. The remark deeply moved him and prompted him to rethink how characters and historical details are portrayed. ZHAO has since become a key collaborator across many of his films.

āđ€āļˆีāļĒāđ€āļĨ่āļēāļ–ึāļ‡āļŠ่āļ§āļ‡āđ€āļ§āļĨāļēāļ—ี่āļ™่āļēāļˆāļ”āļˆāļģāđƒāļ™āļāļ­āļ‡āļ–่āļēāļĒāļ§่āļē “āļ—ีāļĄāļ­āļ­āļāđāļšāļšāđ€āļ„āļĢื่āļ­āļ‡āđāļ•่āļ‡āļāļēāļĒāļ•ั้āļ‡āđƒāļˆāļ—āļģāđƒāļŦ้āđ€āļŠื้āļ­āļœ้āļēāļ”ูāđ€āļ่āļēāļĄāļēāļ āđāļĄ้āļāļĢāļ°āļ—ั่āļ‡āļ—āļģāđƒāļŦ้āļ”ูāļŠāļāļ›āļĢāļāđ€āļĨ็āļāļ™้āļ­āļĒ āđ€āļžื่āļ­āļŠāļ°āļ—้āļ­āļ™āļ–ึāļ‡āļĒุāļ„āļŠāļĄัāļĒ āđāļ•่āļˆ้āļēāļ§āđ€āļ–āļēāļšāļ­āļāļ§่āļē "āđ€āļŠื้āļ­āļœ้āļēāļ—āļģāđƒāļŦ้āļ”ูāđ€āļ่āļēāđ„āļ”้ āđāļ•่āđ„āļĄ่āļ„āļ§āļĢāļ”ูāļŠāļāļ›āļĢāļ āļ„āļ™āļ—ุāļāļĒุāļ„āļ—ุāļāļŠāļĄัāļĒāļĨ้āļ§āļ™āļĄีāļĻัāļāļ”ิ์āļĻāļĢี" āļ„āļģāļžูāļ”āļ™ั้āļ™āļ—āļģāđƒāļŦ้āđ€āļ‚āļēāļĢู้āļŠึāļāļ‹āļēāļšāļ‹ึ้āļ‡āđƒāļˆāļ­āļĒ่āļēāļ‡āļĄāļēāļ āđāļĨāļ°āļāļĢāļ°āļ•ุ้āļ™āđƒāļŦ้āđ€āļ‚āļēāļ„ิāļ”āđƒāļŦāļĄ่āđ€āļี่āļĒāļ§āļัāļšāļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļ•ัāļ§āļĨāļ°āļ„āļĢāđāļĨāļ°āļĢāļēāļĒāļĨāļ°āđ€āļ­ีāļĒāļ”āļ—āļēāļ‡āļ›āļĢāļ°āļ§ัāļ•ิāļĻāļēāļŠāļ•āļĢ์ āļ™ัāļšāļ•ั้āļ‡āđāļ•่āļ™ั้āļ™āļĄāļē āļˆ้āļēāļ§āđ€āļ–āļēāļ็āļāļĨāļēāļĒāđ€āļ›็āļ™āļœู้āļĢ่āļ§āļĄāļ‡āļēāļ™āļ„āļ™āļŠāļģāļ„ัāļāđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢ์āļŦāļĨāļēāļĒāđ€āļĢื่āļ­āļ‡āļ‚āļ­āļ‡āđ€āļ‚āļē

Speaking about international collaborations, JIA noted that working with film crews in France and elsewhere became an important learning experience. “In the past I was the kind of person who acted first and figured things out later. But in a more mature production system, you must learn to work with planning and structure.”. He also recalled working with French cinematographer Eric GAUTIER. “My English wasn’t very good, so I even hired a translator. But later I realised we only needed about ten words to communicate.”. For JIA, filmmakers across cultures share a universal language — the language of cinema.

āđ€āļĄื่āļ­āļžูāļ”āļ–ึāļ‡āļ„āļ§āļēāļĄāļĢ่āļ§āļĄāļĄืāļ­āđƒāļ™āļĢāļ°āļ”ัāļšāļ™āļēāļ™āļēāļŠāļēāļ•ิ āđ€āļˆีāļĒāļāļĨ่āļēāļ§āļ§่āļēāļāļēāļĢāļ—āļģāļ‡āļēāļ™āļัāļšāļ—ีāļĄāļ‡āļēāļ™āļ āļēāļžāļĒāļ™āļ•āļĢ์āđƒāļ™āļāļĢั่āļ‡āđ€āļĻāļŠāđāļĨāļ°āļ—ี่āļ­ื่āļ™āđ† āļāļĨāļēāļĒāđ€āļ›็āļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“์āļāļēāļĢāđ€āļĢีāļĒāļ™āļĢู้āļ—ี่āļŠāļģāļ„ัāļ 

“āđƒāļ™āļ­āļ”ีāļ• āļœāļĄāđ€āļ›็āļ™āļ„āļ™āļ›āļĢāļ°āđ€āļ āļ—āļ—ี่āļĨāļ‡āļĄืāļ­āļ—āļģāļ่āļ­āļ™āđāļĨ้āļ§āļ„่āļ­āļĒāļ„ิāļ”āļŦāļēāļ—āļēāļ‡āđāļ้āđ„āļ‚āļ—ีāļŦāļĨัāļ‡ āđāļ•่āđƒāļ™āļĢāļ°āļšāļšāļāļēāļĢāļœāļĨิāļ•āļ—ี่āļžัāļ’āļ™āļēāđāļĨ้āļ§ āļ„ุāļ“āļ•้āļ­āļ‡āđ€āļĢีāļĒāļ™āļĢู้āļ—ี่āļˆāļ°āļ—āļģāļ‡āļēāļ™āđ‚āļ”āļĒāļāļēāļĢāļ§āļēāļ‡āđāļœāļ™āđāļĨāļ°āļĄีāđ‚āļ„āļĢāļ‡āļŠāļĢ้āļēā 

āđ€āļ‚āļēāļĒัāļ‡āđ€āļĨ่āļēāļ–ึāļ‡āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļĢ่āļ§āļĄāļัāļš Eric GAUTIER āļœู้āļāļģāļัāļšāļ āļēāļžāļŠāļēāļ§āļāļĢั่āļ‡āđ€āļĻāļŠ “āļ āļēāļĐāļēāļ­ัāļ‡āļāļĪāļĐāļ‚āļ­āļ‡āļœāļĄāđ„āļĄ่āļ„่āļ­āļĒāļ”ีāļ™ัāļ āļœāļĄāđ€āļĨāļĒāļ•้āļ­āļ‡āļˆ้āļēāļ‡āļĨ่āļēāļĄ āđāļ•่āļ•่āļ­āļĄāļēāļœāļĄāļ็āļĢู้āļ§่āļēāđ€āļĢāļēāđƒāļŠ้āđāļ„่āļ›āļĢāļ°āļĄāļēāļ“āļŠิāļšāļ„āļģāļ็āļŠื่āļ­āļŠāļēāļĢāļัāļ™āđ„āļ”้āđāļĨ้āļ§” āļŠāļģāļŦāļĢัāļšāđ€āļˆีāļĒāđāļĨ้āļ§ āļœู้āļŠāļĢ้āļēāļ‡āļ āļēāļžāļĒāļ™āļ•āļĢ์āļˆāļēāļāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ§ัāļ’āļ™āļ˜āļĢāļĢāļĄāļ•่āļēāļ‡āļĄีāļ āļēāļĐāļēāļŠāļēāļāļĨāļĢ่āļ§āļĄāļัāļ™ āļ™ั่āļ™āļ„ืāļ­āļ āļēāļĐāļēāļ āļēāļžāļĒāļ™āļ•āļĢ์āļ™ั่āļ™āđ€āļ­āļ‡




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